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Mostrando postagens com marcador comunismo. Mostrar todas as postagens
Mostrando postagens com marcador comunismo. Mostrar todas as postagens

quinta-feira, 12 de março de 2015

Armenio Guedes (1918-2015): um comunista honesto (a partir de certo momento)

De todos os comunistas que conheci -- refiro-me, não a todos eles, mas ao pessoal do velho Partidão que tinha certa cultura, e que pelo menos tinha lido Marx e Dostoievski, ou Lênin e Balzac -- e que entrevistei, em pesquisas sobre a história política brasileira nas décadas em que o Partido Comunista Brasileiro ainda era uma força política aparentemente importante, Armênio Guedes foi o único honesto, ou seja, a falar sinceramente sobre os crimes do stalinismo, e sobre as deformações do socialismo.
Eu devo tê-lo entrevistado em Paris, em algum momento do final dos anos 1970 e início dos 1980, quando ainda viviamos em ditadura militar, portanto, e nossa conversa foi muito fluída, muito aberta, e ali conheci um homem culto, inteligente, aberto, ou seja, quase um humanista (se é possível dizer isto de um comunista). Mas registre-se que ele tinha se tornado comunista quase como um air du temps, o Zeitgeist, pois esta era uma escolha que se colocou a muitos jovens idealistas de certa geração, quando o socialismo ainda parecia prometer melhorias na condição de vida de países "semi-coloniais", como o pessoal do Komintern considerava equivocadamente o Brasil. Ele logo percebeu, no degelo pós-Stalin, que aquela coisa não poderia funcionar. Ainda assim permaneceu no Partido pois aquilo representava uma vida de lutas. Não sem críticas, tanto que foi marginalizado pelos velhos dirigentes prestistas e por outros oportunistas.
O texto abaixo, assinado por algum intelectual gramsciano, presta uma homenagem a um dos poucos intelectuais comunistas que colocava a cultura antes da política, embora seu autor, não identificado, ainda mantenha as mesmas ilusões de velhos e novos comunistas quanto às possibilidades de um, qualquer um, socialismo, algo que Armênio Guedes provavelmente já não tinha mais (mas que ele não confessava, provavelmente para não chocar os camaradas).
Paulo Roberto de Almeida
Hartford, 12 de março de 2015

Armênio Guedes (1918-2015)
Gramsci e o Brasil - Março 2015

Faleceu ontem em São Paulo (11/03/2015), aos 97 anos, Armênio Guedes, dirigente histórico do antigo Partido Comunista Brasileiro e presidente de honra da Fundação Astrojildo Pereira. Baiano de Mucugê, criado em Salvador e tendo passado por sua Faculdade de Direito, que abandonou pouco antes de se formar, Armênio participou de uma geração brilhante de políticos e intelectuais democráticos e de esquerda, entre os quais João Falcão, Aydano Couto Ferraz, Jorge Amado, Edson Carneiro, Carlos Marighella e muitos outros.

Tendo aderido ao PCB nos anos 1930, sob a inspiração do antifascismo, Armênio guardou desta experiência original a marca das posições de frente com os adeptos do pensamento liberal, que carregou mesmo nos momentos de maior sectarismo do comunismo brasileiro e internacional. Assim, logo depois do célebre XX Congresso do Partido Comunista da União Soviética, que denunciou os crimes que haviam acompanhado a construção do socialismo de Estado sob a direção de Stalin, Armênio esteve entre os que mais se empenharam, no PCB, por uma profunda revisão de métodos, que atualizasse a teoria e a prática dos comunistas brasileiros.

Não por acaso, Armênio participa da redação do “Manifesto de Março de 1958”, ao lado de outras personalidades com pensamento mais ou menos próximo do seu, como Luiz Carlos Prestes, Giocondo Dias e Jacob Gorender. Este “Manifesto”, ao destacar de modo inovador a importância da “questão democrática”, ao lado da “questão nacional”, assinalou uma mudança de rumos na cultura dos comunistas, em direção à plena assimilação posterior dos métodos da democracia política e sua valorização acima de qualquer ambiguidade.

Se não foi suficiente para impedir açodamentos e equívocos na grande e terrível crise de 1964, o “Manifesto de 1958” forneceu instrumentos para a política de resistência pacífica e legalista do PCB ao regime ditatorial, uma política que teve Armênio como um de seus defensores mais destacados e coerentes. Armênio, então no estado da Guanabara, era a referência para o trabalho tanto com os jovens intelectuais, quanto com a velha “classe política”, que a seu modo se opunha tenazmente ao regime, e as novas lideranças que surgiam no interior do MDB e do movimento democrático em geral. Aqui, seu nome deve ser permanentemente lembrado ao lado de singulares personalidades do comunismo brasileiro, como Luiz Inácio Maranhão Filho, Giocondo Dias, Marco Antônio Tavares Coelho, Salomão Malina, João Massena e outros dirigentes com clara visão política dos problemas e perspectivas postos pela “frente democrática” contra o regime militar.

No início da década de 1970, Armênio teve de se exilar no Chile de Allende, depois de ter sido identificado e abordado por agentes da CIA no Brasil. Neste Chile que buscava um caminho democrático para o socialismo, teve continuidade a trajetória de Armênio, ponto de união entre exilados de diferente formação política e cultural. A sangrenta derrubada de Allende, em 1973, marcou nova parte do percurso de Armênio no exílio, já em linha com os mais arrojados políticos e teóricos que se afastavam da ortodoxia soviética, como é o caso do Partido Comunista Italiano e de dirigentes da estatura de Antonio Gramsci, Palmiro Togliatti e Enrico Berlinguer.

Deste último, aliás, Armênio assimilou plenamente, e até o final de sua vida, a ideia de que a democracia política, antes de ser “burguesa”, como afirmava a ortodoxia, era na verdade um “valor universal”, de que as classes subalternas não podiam mais abrir mão, sob o risco de reproduzirem novas experiências autoritárias ou totalitárias, como as do chamado “socialismo real”.

A derrocada da União Soviética e deste tipo de socialismo encontrou Armênio sereno e firme em suas convicções reformistas. Uma palavra — reformismo — que fez questão de reabilitar em diversas intervenções públicas, afirmando explicitamente, por exemplo, que “[...] a Revolução de Outubro, que por tanto tempo nos serviu de modelo, deve ser considerada a última revolução do século XIX. E a ‘revolução democrática’ dos nossos dias, quer dizer, os modos de se desenvolver a luta revolucionária depois do ‘grande ato metafísico de Outubro’, está rigorosamente por ser inventada”.

A vida luminosa de Armênio Guedes, que acompanhou a parábola da experiência soviética e dos comunistas brasileiros, acaba por se confundir com as esperanças de renovação do pensamento e da prática da esquerda, na perspectiva de uma mudança social que reforce simultaneamente os espaços de liberdade de cada indivíduo e a trama plural de uma comunidade baseada nos valores da solidariedade e da fraternidade. Armênio Guedes continuará a ser um dos pilares desse tipo de concepção e de luta por um socialismo reconciliado com a democracia — algo, como sabemos, rigorosamente a ser inventado, para usar suas próprias palavras.

Fonte: Especial para Gramsci e o Brasil.

sexta-feira, 7 de novembro de 2014

Muro de Berlim: a 25 anos de sua queda, milhoes ainda vivem sob tiranias comunistas - Marion Smith (WSJ)

Não se trata apenas dessas tiranias abjetas, desses despotismos ordinários, dessas ditaduras miseráveis, pois existem, também, muitos comunistas em diversos outros lugares do mundo, aliás no próprio Brasil, gente delirante, que pretende controlar, censurar, dominar, estatizar, conforme seus instintos comunistas e fascistas...
Paulo Roberto de Almeida

The Berlin Wall Fell, but Communism Didn’t
From North Korea to Cuba, millions still live under tyrannous regimes
By  Marion Smith       
Nov. 6, 2014   WALL STREET JOURNAL   

As the world marks the 25th anniversary of the fall of the Berlin Wall on Nov. 9, 1989, we should also remember the many dozens of people who died trying to get past it.

Ida Siekmann, the wall’s first casualty, died jumping out of her fourth-floor window while attempting to escape from East Berlin in August 1961. In January 1973, a young mother named Ingrid hid with her infant son in a crate in the back of a truck crossing from East to West. When the child began to cry at the East Berlin checkpoint, a desperate Ingrid covered his mouth with her hand, not realizing the child had an infection and couldn’t breathe through his nose. She made her way to freedom, but in the process suffocated her 15-month-old son. Chris Gueffroy, an East German buoyed by the ease of tensions between East and West in early 1989, believed that the shoot-on-sight order for the Berlin Wall had been lifted. He was mistaken. Gueffroy would be the last person shot attempting to flee Communist-occupied East Berlin.

But Gueffroy was far from the last victim of communism. Millions of people are still ruled by Communist regimes in places like Pyongyang, Hanoi and Havana.

As important as the fall of the Berlin Wall was, it was not the end of what John F. Kennedy called the “long, twilight struggle” against a sinister ideology. By looking at the population statistics of several nations we can estimate that 1.5 billion people still live under communism. Political prisoners continue to be rounded up, gulags still exist, millions are being starved, and untold numbers are being torn from families and friends simply because of their opposition to a totalitarian state.

Today, Communist regimes continue to brutalize and repress the  hapless men, women and children unlucky enough to be born in the wrong country.

In China, thousands of Hong Kong protesters recently took to the streets demanding the right to elect their chief executive in open and honest elections. This democratic movement—the most important protests in China since the Tiananmen Square demonstrations and massacre 25 years ago—was met with tear gas and pepper spray from a regime that does not tolerate dissent or criticism. The Communist Party routinely censors, beats and jails dissidents, and through the barbaric one-child policy has caused some 400 million abortions, according to statements by a Chinese official in 2011.

In Vietnam, every morning the unelected Communist government blasts state-sponsored propaganda over loud speakers across Hanoi, like a scene out of George Orwell ’s “1984.”

In Laos, where the Lao People’s Revolutionary Party tolerates no other political parties, the government owns all the media, restricts religious freedom, denies property rights, jails dissidents and tortures prisoners.

In Cuba, a moribund Communist junta maintains a chokehold on the island nation. Arbitrary arrests, beatings, intimidation and total  media control are among the tools of the current regime, which has never owned up to its bloody past.

The Stalinesque abuses of North Korea are among the most shocking. As South Korea’s President Park Geun-hye recently told the United Nations, “This year marks the 25th anniversary of the fall of the Berlin Wall, but the Korean Peninsula remains stifled by a wall of division.” On both sides of that wall—a 400-mile-long, 61-year-old demilitarized zone—are people with the same history, language and often family.

But whereas the capitalist South is free and prosperous, the Communist North is a prison of torture and starvation run by a family of dictators at war with freedom of religion, freedom of movement and freedom of thought. President Park is now challenging the U.N. General Assembly “to stand with us in tearing down the world’s last remaining wall of division.”

To tear down that wall will require the same moral clarity that brought down the concrete and barbed-wire barrier that divided Berlin 25 years ago. The Cold War may be over, but the battle on behalf of human freedom is still being waged every day. The triumph of liberty we celebrate on this anniversary of the Berlin Wall’s destruction must not be allowed to turn to complacency in the 21st century. Victory in the struggle again totalitarian oppression is far from inevitable, but this week we remember that it can be achieved.

Mr. Smith is executive director of the Victims of Communism Memorial Foundation in Washington, D.C.

sexta-feira, 4 de julho de 2014

Comunismo: entre a teoria e o real, o Brasil esta chegando ao real - Olavo de Carvalho

Agradeço ao Douglas Emerick por ter me chamado a atenção para este artigo, com o qual concordo em suas linhas básicas.
Paulo Roberto de Almeida

O comunismo real

Olavo de Carvalho

Diário do Comércio, 7 de abril de 2014

Nos dicionários e na cabeça do povinho semi-analfabeto das universidades, a diferença entre capitalismo e comunismo é a de um “modo de produção”, ou, mais especificamente, a da “propriedade dos meios de produção”, privada num caso, pública no outro. Mas isso é a autodefinição que o comunismo dá a si mesmo: é um slogan ideológico, um símbolo aglutinador da militância, não uma definição objetiva. Se até os adversários do comunismo a aceitam, isto só prova que se deixaram dominar mentalmente por aqueles que os odeiam – e esse domínio é precisamente aquilo que, no vocabulário da estratégia comunista, se chama “hegemonia”.

Objetivamente, a estatização completa dos meios de produção nunca existiu nem nunca existirá: ela é uma impossibilidade econômica pura e simples. Ludwig von Mises já demonstrou isso em 1921 e, após umas débeis esperneadas, os comunistas desistiram de tentar contestá-lo: sabiam e sabem que ele tinha razão.

Em todos os regimes comunistas do mundo, uma parcela considerável da economia sempre se conservou nas mãos de investidores privados. De início, clandestinamente, sob as vistas grossas de um governo consciente de que a economia não sobreviveria sem isso. Mais tarde, declarada e oficialmente, sob o nome de “perestroika” ou qualquer outro. Tudo indica que a participação do capital privado na economia chegou mesmo a ser maior em alguns regimes comunistas do que em várias nações tidas como “capitalistas”.

Isso mostra, com a maior clareza possível, que o comunismo não é um modo de produção, não é um sistema de propriedade dos meios de produção. É um movimento político que tem um objetivo totalmente diferente e ao qual o símbolo “propriedade pública dos meios de produção” serve apenas de pretexto hipnótico para controle das massas: é a cenoura que atrai o burro para cá e para lá, sem que ele jamais chegue ou possa chegar ao prometidíssimo e inviabilíssimo “modo de produção comunista”.

No entanto, se deixaram a iniciativa privada à solta, por saber que a economia é por natureza a parte mais incontrolável da vida social, todos os governos comunistas de todos os continentes fizeram o possível e o impossível para controlar o que fosse controlável, o que não dependesse de casualidades imprevisíveis mas do funcionamento de uns poucos canais de ação diretamente acessíveis à intervenção governamental.

Esses canais eram: os partidos e movimentos políticos, a mídia, a educação popular, a religião e as instituições de cultura. Dominando um número limitado de organizações e grupos, o governo comunista podia assim controlar diretamente a política e o comportamento de toda a sociedade civil, sem a menor necessidade de exercer um impossível controle igualmente draconiano sobre a produção, a distribuição e o comércio de bens e serviços.

Essa é a definição real do comunismo: controle efetivo e total da sociedade civil e política, sob o pretexto de um “modo de produção” cujo advento continuará e terá de continuar sendo adiado pelos séculos dos séculos.

Aprática real do comunismo traz consigo o total desmentido do princípio básico que lhe dá fundamento teórico: o princípio de que a política, a cultura e a vida social em geral dependem do “modo de produção”. Se dependessem, um governo comunista não poderia sobreviver por muito tempo sem estatizar por completo a propriedade dos meios de produção. Bem ao contrário, o comunismo só tem sobrevivido, e sobrevive ainda, da sua capacidade de adiar indefinidamente o cumprimento dessa promessa absurda. Esta, portanto, não é a sua essência nem a sua definição: é o falso pretexto de que ele se utiliza para controlar ditatorialmente a sociedade.

Trair suas promessas não é, portanto, um “desvio” do programa comunista: é a sua essência, a sua natureza permanente, a condição mesma da sua subsistência.

Compreensivelmente, é esse mesmo caráter dúplice e escorregadio que lhe permite ludibriar não somente a massa de seus adeptos e militantes, mas até seus inimigos declarados: os empresários capitalistas. Tão logo estes se deixam persuadir do preceito marxista de que o modo de produção determina o curso da vida social e política (e é quase impossível que não acabem se convencendo disso, dado que a economia é a sua esfera de ação própria e o foco maior dos seus interesses), a conclusão que tiram daí é que, enquanto estiver garantida uma certa margem de ação para a iniciativa privada, o comunismo continuará sendo uma ameaça vaga, distante e até puramente imaginária. Enquanto isso, vão deixando o governo comunista ir invadindo e dominando áreas cada vez mais amplas da sociedade civil e da política, até chegar-se ao ponto em que a única liberdade que resta – para uns poucos, decerto – é a de ganhar dinheiro. Com a condição de que sejam bons meninos e não usem o dinheiro como meio para conquistar outras liberdades.

Ao primeiro sinal de que um empresário, confiado no dinheiro, se atreve a ter suas próprias opiniões, ou a deixar que seus empregados as tenham, o governo trata de fazê-lo lembrar que não passa do beneficiário provisório de uma concessão estatal que pode ser revogada a qualquer momento. O sr. Silvio Santos é o enésimo a receber esse recado.

É assim que um governo comunista vai dominando tudo em torno, sem que ninguém deseje admitir que já está vivendo sob uma ditadura comunista. Por trás, os comunistas mais experientes riem: “Ha! Ha! Esses idiotas pensam que o que queremos é controlar a economia! O que queremos é controlar seus cérebros, seus corações, suas vidas.”

E já controlam.

domingo, 2 de fevereiro de 2014

O inferno, na mitologia politica - BBC

Devo esta a meu amigo Orlando Tambosi


Montenegro church depicts Tito, Marx and Engels in hell

Fresco from church in Podgorica, MontenegroTito, Marx and Engels are pictured in a sea of fire with diabolical beasts

A church in Montenegro has sparked controversy by displaying a fresco depicting Yugoslav communist leader Josip Broz Tito in the fires of hell with Karl Marx and Friedrich Engels.
The newly built Church of Resurrection in the capital Podgorica has already drawn criticism for its lavish design.
Critics now say the church should not be interfering in politics.
Works by philosophers Marx and Engels were required reading when Montenegro was part of communist Yugoslavia.
One church leader, named only as Dragan, told the Agence France-Presse news agency that Marx, Engels and Tito "personify communist evil in the Balkans" and the artist should be "allowed the freedom to see things as he wishes".
However, he added: "He cannot judge, in the name of the Church, who belongs in hell or heaven."
The Church of Resurrection in PodgoricaThe Church of Resurrection in Podgorica has also been criticised for its lavish design.
Fresco from church in Podgorica, Montenegro shows Tito, Marx and EngelsTito is shown in his military uniform next to Marx and Engels
The fresco painter remains anonymous.
Visitors to the church were divided over whether the fresco should remain.
"The Church should not interfere in the secular world and determine who deserves a place in hell or heaven," said lawyer Rade Stankovic.
But another visitor, named only as Milos, said communism had caused "so much evil".
"Many people were killed in the name of the ideology promoted by Marx, Engels and their followers," he said.
The church is not the only religious building in Montenegro to depict figures from 20th Century history on its walls.
A monastery in Ostrog shows Hitler, Lenin and Tito together with Judas, who betrayed Jesus.

terça-feira, 2 de abril de 2013

Os perdedores contam a historia (mas seriam perdedores?) - Olavo de Carvalho

A História invertida
Olavo de Carvalho

Diário do Comércio
 
         O confronto entre militares e terroristas na América Latina dos anos 60-70 foi um episódio da Guerra Fria, onde os atores locais, sem prejuízo de suas convicções e decisões próprias, ecoavam, em última instância, as estratégias respectivas das duas grandes potências em disputa: os EUA e a URSS.
         Nada do que então se passou no continente pode ser compreendido sem ter isso em conta.
         Se perguntarmos qual dos dois protagonistas estrangeiros interferiu mais profundamente no cenário latino-americano, a única resposta honesta é: a URSS.
         Do ponto de vista militar, isso é de uma obviedade gritante. Os EUA jamais chegaram a ter, na época, quarenta mil soldados, quinze mil técnicos em armamentos, setecentas baterias anti-aéreas, 350 tanques e cento e tantos mísseis balísticos intercontinentais instalados em nenhum dos seus países aliados na América Latina, como a URSS teve em Cuba já a partir de 1962 na chamada “Operação Anadyr”. (v. Gus Russo and Stephen Molton, Brothers in Arms. The Kennedys, the Castros and the Politics of Murder, New York, Bloomsbury, 2008, p. 158, e http://www.russianspaceweb.com/cuban_missile_crisis.html).
         No que diz respeito à espionagem propriamente dita, a superioridade soviética surge ainda mais nítida no caso do Brasil em especial. Nada do que a CIA ou qualquer outro serviço secreto norte-americano possa ter feito aqui se compara às proezas da KGB, que chegou a instalar um grampo no gabinete do presidente João Figueiredo (v. George Schpatoff, KGB. História Secreta, Curitiba, Juruá, 2000, pp. 381 ss.), interceptar 21 mil mensagens sigilosas do nosso Ministério das Relações Exteriores e ter a seu serviço, como agente pago, nada menos que um embaixador brasileiro em Moscou (v. Christopher Andrew and Vasili Mitrokhin, The World Was Going Our Way. The KGB and the Battle for the Third World, New York, Basic Books, 2005, p. 105).
         Se daí passamos ao campo das chamadas “medidas ativas” (desinformação, infiltração, guerra psicológica, agentes de influência etc.), a supremacia soviética no Brasil daqueles anos assume as proporções de um poder absoluto e incontrastável. Em 1964, a KGB tinha várias dezenas de jornalistas brasileiros na sua folha de pagamentos (confissão do próprio chefe da agência soviética no Brasil, Stanislav Bittman, em The KGB and Soviet Disinformation: An  Insider’s View). Que o número deles se multiplicou nos anos seguintes não é algo de que se possa duvidar. Muitos jornalistas brasileiros, naquele período, fizeram estágios na URSS, na China, na Tchecoslováquia, na Alemanha Oriental, na Polônia e em Cuba. Uns poucos gabam-se disso até hoje, seguros de que o público amestrado já não verá aí o menor motivo de suspeita. Mas naqueles países, onde todos os órgãos de mídia nada mais eram do que extensões da polícia secreta, é quase impensável que algum jornalista estrangeiro fosse admitido sem ser em seguida recrutado como agente de influência. Como assinalam John Earl Haynes, Harvey Klehr e Alexander Vasiliev em Spies: The Rise and Fall of the KGB in America (Yale University Press, 2009), os soviéticos foram sempre os campeões absolutos no recrutamento de jornalistas. Nos EUA, hoje conhecem-se um por um os nomes daqueles que, na mídia americana, serviram à KGB e ao GRU (serviço secreto militar). No Brasil, esse capítulo da história do nosso jornalismo é ainda um tabu, mas é evidente que sem ele nada se compreende do período, principalmente porque em plena ditadura militar os comunistas chegaram a controlar praticamente toda a grande mídia no país (v. http://www.olavodecarvalho.org/semana/111124dc.html, http://www.olavodecarvalho.org/semana/111125dc.html e http://www.olavodecarvalho.org/semana/111130dc.html) e a dominar também o mercado livreiro através das suas grandes casas editoras (Civilização Brasileira, Brasiliense, Vitória etc.). Nem falo, é claro, dos agentes de influência  que vindo do bloco soviético se espalharam pelos EUA e pelas democracias européias, forjando aí a imagem demoníaca do governo brasileiro que acabou por se consagrar como dogma internacional inabalável. 
         O conjunto forma uma orquestra formidável, ao lado da qual a voz do imperialismo ianque mal soava como o miado de um gatinho doente. Ao longo de toda aquela época, e depois mais ainda, tanto os EUA quanto o governo brasileiro se abstiveram de fazer qualquer esforço sério para ganhar os “corações e mentes” dos formadores de opinião neste país. Em plena ditadura, os jornalistas “de direita” nas redações contavam-se nos dedos das mãos e eram abertamente hostilizados por seus colegas.
         Por fim, até hoje não se fez uma avaliação razoável da quantidade de recursos mobilizados pelas ditaduras de Cuba, da China, da URSS e seus países satélites para treinar, equipar e financiar não só os terroristas brasileiros mas os militantes encarregados de lhes dar apoio político sem participar dos combates. Foi uma operação de proporções gigantescas, que na imagem pública hoje em dia só aparece sob a forma de menções esporádicas a “exilados”, como se os comunistas só fossem para aqueles países quando obrigados a isso pelo governo militar.
         Em comparação com a profundidade e amplitude da intervenção cubano-soviética no continente, e especialmente no Brasil, a ação dos EUA naqueles anos caracterizou-se pela raridade, timidez e omissão, limitando-se no mais das vezes a acordos entre governos. Se a imagem que se consagrou na mídia e no ensino foi exatamente a inversa, isso é mais uma prova do sucesso de uma operação que prossegue ainda hoje, tendo a seu serviço tanto os megafones quanto as mordaças.

Olavo De Carvalho
oakwoodwolf3@aol.com

sábado, 9 de fevereiro de 2013

Comunismo e fascismo: dois irmaos diabolicos - Vladimir Tismaneanu

O diabo está nos detalhes, se costuma dizer. Mas, no caso do comunismo e do fascismo, as duas ideologias, os dois regimes, os dois males mais mortíferos do século 20 (talvez de toda a história humana, incluindo as hordas de bárbaros da Idade Média), o diabo está não só nos detalhes, mas no conjunto.
De fato, o diabo figura nas propostas, nas intenções, nos atos feitos e malfeitos desses dois sistemas, que devem ter provocado, conjuntamente, mais de cem milhões de mortos, matados e morridos (ou seja, direta e indiretamente) no que foi esse "breve" século 20, que segundo um marxista não arrependido, Eric J. Hobsbawm, teria durando apenas de 1917 a 1989, para todos os efeitos práticos. Na verdade, o fascismo (clássico, pelo menos) foi bem mais curto, entre 1922, ou 1924, desde a conquista e consolidação do poder por Mussolini, e 1945, quando Hitler se suicida, deixando atrás de si uma Alemanha em ruínas e mais de 20 milhões de mortos, pelo menos...
O bolchevismo, em sua feitura lenino-stalinista, durou bem mais, e matou muito mais, embora em doses menos concentradas do que o fascismo italiano (mais "ameno) e o nazismo hitlerista (mais "mortífero", em sua sanha assassina e absolutamente brutal). Ele foi de 1918 a 1953, quando o ditador assassino morre. Junto com o comunismo da coexistência pacífica, a partir de Krushev, e os diversos experimentos ao redor do mundo, o comunismo, em sua longa história de mais algumas décadas (foram setenta anos, no total), matou mais alguns milhões, em surtos esporádicos de loucura e de resiliência. Na Coreia do Norte, por exemplo, que é um regime stalinista-surrealista, a matança continua, ao passo que em Cuba, as mortes de um sistema nefando, que conseguiu o notável feito, jamais igualado na história, de expulsar mais de um décimo da população da ilha, foram comparativamente menores (mas não menos desculpáveis, pois sempre advindas não por "acidente" do sistema, mas por atos deliberados dos dirigentes delinquentes).
Este autor romeno, da geração pós-guerra, instalado nos Estados Unidos, examina a interface diabólica dos dois sistemas assassinos, na resenha publicada no Times Literary Suplement.
Vou comprar o livro, para ler com atenção, não que eu tenha muito a aprender historicamente com o que se passou, mas porque eu acho que certos elementos das ideologias dos dois sistemas assassinos ainda estão presentes entre nós, aliás muito presentes entre certos companheiros...
Paulo Roberto de Almeida

Communism, Fascism and liberals now

John Gray

Vladimir Tismaneanu
THE DEVIL IN HISTORY
Communism, Fascism, and some lessons of the twentieth century

326pp. University of California Press. $34.95; distributed in the UK by Wiley. £24.95.
978 0 520 23972 2

The Berlin Wall, 1989
D iscussing the Declaration of the Rights of Toiling and Exploited People promulgated in the Soviet Union in January 1918, in which sections of the population regarded as “former people” were disenfranchised, Vladimir Tismaneanu writes: “It can hardly be considered a coincidence that the term byvshie liudi (former people), which became commonplace in Bolshevik speak, implied that those to whom it applied were not quite human”. The disenfranchised groups included functionaries of the tsarist police and military, class aliens who lived off unearned income, clergy of all religions and anyone economically dependent on those so far listed. Debarred from the rationing system (for many the chief source of sustenance), liable to have their property confiscated, and prohibited from seeking public office, people in these categories – along with their families, since being a former person was defined as an inheritable condition – were excluded from society. The system of categories, Tismaneanu writes, was “the prototype taxonomy for the terror that was to follow in later years”. Denying some human groups the moral standing that normally goes with being a person, this act formed the basis for the Soviet project of purging society of the human remnants of the past.
It is also one of the grounds for Tismaneanu’s belief that in important respects Communism and Fascism were at one. He is clear that “Communism is not Fascism, and Fascism is not Communism. Each totalitarian experiment has its own irreducible attributes”. Even so, the two were alike in viewing mass killing as a legitimate instrument of social engineering.
“Communism, like Fascism, undoubtedly founded its alternative, illiberal modernity on the conviction that certain groups could be deservedly murdered. The Communist project, in such countries as the USSR, China, Cuba, Romania, or Albania, was based precisely on the conviction that certain social groups were irretrievably alien and deservedly murdered.”
It is an observation that points to the central issue in the debate about twentieth-century totalitarianism. Ever since it was first developed by the Italian theorist of Fascism Giovanni Gentile – who approved of the system of unlimited government that totalitarianism denotes – the concept has been highly controversial. With many viewing Communist and Fascist regimes as too dissimilar in their structures, objectives and ruling ideas to be included in a single category and some seeing theories of totalitarianism as not much more than a rationale for Cold War struggles, the idea has moved from being widely contested to being distinctly unfashionable – in academic contexts, a more damningly final dismissal. For those who have lived in totalitarian regimes, this is a perplexing development. Tismaneanu writes vividly of his own experience. A child of Jewish parents who became Communist activists as part of the struggle against Fascism (his father lost an arm fighting in the Spanish Civil War, while his mother worked as a nurse), he first began thinking about totalitarianism when as a teenager in Communist Romania he read a clandestinely circulated copy of Arthur Koestler’s Darkness at Noon. Later, as a sociology student at the University of Bucharest, he managed to get hold of forbidden books by writers such as Raymond Aron, Hannah Arendt, Isaiah Berlin, Leszek Kolakowski and other anti-totalitarian thinkers. Also drawn to what he calls “the occulted traditions of western Marxism”, he did a doctorate on the Frankfurt School. Leaving Romania in 1981 and settling in the United States, he revisited the country on a regular basis after the toppling of Nicolae Ceausescu. In 2006 he was made head of a presidential commission established to examine the workings of the Communist dictatorship, an appointment that proved controversial, not least because of his parents’ and his own Communist past.
Tismaneanu has produced numerous studies of Stalinism, nationalism and totalitarianism, but it seems to be the parallels between the Ceauzescu regime and interwar Fascism that have come to preoccupy him. “Although Romania was a socialist state committed to Marxist tenets and thus ostensibly left-wing, especially after 1960, the ruling party started to embrace themes, motifs, and obsessions of the interwar Far Right.” After Ceausescu came to power in 1965, “the ideology came to blend residual Leninism with an unavowed yet unmistakable Fascism”. As Tismaneanu came to realize, “This was only an apparent paradox”. European Fascism was a mishmash of mad and bad ideas – clerical authoritarianism and anti-liberal Nietzschean atheism, a neo-primitivist cult of “thinking with the blood” and modernist worship of technology, among others. But ethnocentric nationalism, racism and anti-Semitism have been features of Fascism in all its varieties, and it is the Communist embrace of these far right themes that forms the background for The Devil in History. If his parents joined forces with Communism in order to resist Fascism, it has fallen to Tismaneanu to grapple with the fact that Communism acquired some of Fascism’s defining characteristics.
An ambitious and challenging rereading of twentieth-century history, The Devil in History is most illuminating in showing that parallels between the two totalitarian experiments existed from the beginning. Tismaneanu confesses to being baffled by what he describes as “the still amazing infatuation of important intellectuals with the communist Utopia”. “It is no longer possible to maintain and defend a relatively benign Lenin”, he writes, “whose ideas were viciously distorted by the sociopath Stalin.” Unlike Stalin, Lenin showed no signs of psychopathology. Rather than being an expression of paranoia, methodical violence and pedagogic terror were integral features of Bolshevik doctrine. By their own account, Lenin and his followers acted on the basis of the belief that some human groups had to be destroyed in order to realize the potential of humanity. These facts continue to be ignored by many who consider themselves liberals, and it is worth asking why.
Underlying academic debates about the adequacy of totalitarianism as a theoretical category, Tismaneanu suggests, is a question about evil in politics. Rightly, he does not ask which of the two totalitarian experiments was more evil – an approach that easily degenerates into an inconclusive and at times morally repugnant wrangle about numbers. There is a crucial difference, which he acknowledges at several points in The Devil in History, between dying as a result of exclusion from society and being killed as part of a campaign of terror and being marked out for death in a campaign of unconditional extermination – as Jews were by Nazis and their local collaborators in many European countries and German-occupied Soviet Russia. Numerical comparisons pass over this vital moral distinction. While the stigma of being a former person extended throughout families, it was possible to be readmitted into society by undergoing “re-education”, becoming an informer, and generally collaborating with the regime. When Stalin engineered an artificial famine which condemned millions to starvation and consigned peoples such as the Tatars and Kalmyks to deportation and death, he did not aim at their complete annihilation. Around one in five adult males is estimated to have spent time in the Gulag, along with unnumbered children after the age of criminal responsibility was lowered (along with liability to capital punishment) to include twelve-year-olds in 1935, as well as a massive influx of “female thieves” (war widows) after 1945; but most who spent time in the camps survived to return to what passed as normal life. Though there were sections of the Gulag from which few emerged alive – such as those described by Varlam Shalamov in Kolyma Tales – there was no Soviet Treblinka.

Lenin may have held to a version of humanism, but it was one that excluded much of actually existing humankind

Tismaneanu’s account of Communist totalitarianism will be resisted by those who want to believe that it was an essentially humanistic project derailed by events – national backwardness, foreign encirclement and the like. But as he points out, the Soviet state was founded on policies which implied that some human beings were not fully human. Lenin may have held to a version of humanism, but it was one that excluded much of actually existing humankind. It was not simply because they could be expected to be hostile to the new regime that priests, merchants, members of formerly privileged classes and functionaries of the old order were deprived of civil rights. They represented a kind of humanity that had had its day. There is nothing to suggest that the Bolsheviks viewed the fate of former persons as the tragic price of revolution. Such superfluous human beings were no more than the detritus of history. If radical evil consists in denying the protection of morality to sections of humankind, the regime founded by Lenin undoubtedly qualifies.
We are left with the question why so many liberals disregard these facts. Clearly a part of the explanation lies in the utopian character of the Communist project. In politics, the other face of radical evil is an inhuman vision of radical goodness. Lenin envisioned a world without states or markets in which power relations had ceased to exist. Hitler imagined a world in which power reflected an immutable racial hierarchy. It is hard to imagine any decent human being embracing the hideous Nazi vision – a mix of the völkisch chimera of a seamless “organic” culture, fraudulent “racial science” and revolutionary anti-capitalism – but the appeal to large sections of the German people of the fantasy of a conflict-free, homogeneous society cannot be denied. Lenin’s very different view of the future was in some ways no less hideous. Authentically Marxian in its most essential features, it left no room for the diverse forms of activity that humans have devised to create meaning in their lives. Religion and the practice of science and the arts for their own sake would be left behind. The little that survived of the human inheritance would be yoked to collective welfare and communal labour. It is a horribly impoverished vision, which fortunately has no prospect of being realized.
Liberals will object that Communist and Fascist projects are inherently opposed – one emerging from Enlightenment universalism, the other from Counter-Enlightenment ideas of racial purity. There is a difference, but there are commonalities as well. If Nazism repudiated Enlightenment values of human equality and universal emancipation, the Nazi project of racial hierarchy continued some influential strands of Enlightenment thinking. Nazi “scientific racism” had precedents in the Positivist plans for a science of society grounded in physiology, and in theories of human inequality and eugenics promoted by nineteenth-century Enlightenment thinkers such as Francis Galton and (in more explicitly racial terms) Ernst Haeckel. Lenin’s egalitarian project also claimed a basis in science – the ersatz science of historical materialism.
There is another respect in which Communism and Fascism were alike. At one in claiming a basis in science, they were both fuelled by millenarian religion. As Bertrand Russell recognized in his neglected classic The Practice and Theory of Bolshevism (published in 1920 after he had visited the Soviet Union and talked with Lenin), Bolshevism was more than a political doctrine, however radical or extreme. With all its militant secularism, the Bolshevik drive to transform society was powered by apocalyptic myths. As Tismaneanu writes, with reference to Norman Cohn’s seminal work on millenarian movements, “both Leninism and Fascism created millenarian sociological and psychological constellations. Both were militant chiliasms that energized extraordinary ardor among unconditionally committed followers”. The chiliastic character of Communism is not a novel theme, and here as elsewhere in his book, Tismaneanu fashions a powerful synthesis of existing critiques. What he does not fully explore is the function of Communism in channelling religious myth in a modern secular form – a role that goes some way to explaining its continuing attraction.
Citing Boris Souvarine, Tismaneanu praises the heterodox Marxist for his account of “the strange blending of barbarism and derailed modernity in the ideological despotism of the extreme Left and Right”. In the context of the argument of The Devil in History, however, it may be the idea of derailed modernity that is strange. Elsewhere in the book, Tismaneanu recognizes Communism and Fascism as alternative forms of development, unquestionably barbaric but still fully modern. His ambiguity on this point reflects a gap in his account of contemporary liberalism. Throughout much of his argument, he takes for granted that the recycling of religious myth as secular political doctrine that occurred in Communism does not occur in advanced liberal democracies. But Western-led policies were based on the belief that after a brief period of economic shock therapy, post-Soviet Russia and Eastern Europe would revert to a normal path of development and adopt liberal values – an idea with no basis in history. In Russia and much of Europe, liberal values have never been “normal”. “In the end”, Tismaneanu writes, “‘the return to Europe’ heralded in 1989 stood for ‘normalcy and the modern way of life’.” However, if post-Communist countries have returned to normal it is to a version – so far relatively mild, but real enough – of the toxic normality that prevailed in much of the continent during long stretches of the twentieth century.
The blind spot in The Devil in History is the power of myth in liberal societies. “The demise of Communism in Europe”, Tismaneanu writes, “allowed space for alternative political mythologies, which left a proliferation of fantasies of salvation.” He is referring to post-Communist countries where the Soviet collapse left a vacuum that was filled by ethnocentric nationalism and a post-Holocaust variety of anti-Semitism that demonizes Jews in countries where hardly any Jews remain. But the impact of the collapse was also felt in Western democracies, where it boosted the belief that liberal societies are the only ones that can be fully modern. Commendably, Tismaneanu refuses to play “the obsolete pseudo-Hegelian tune of the ‘ultimate liberal triumph’”. However, the issue is not whether liberalism is destined to prevail – a stale debate about historical inevitability – but whether liberal societies can escape what he aptly describes as “a contagious hubris of modernity”. For those possessed by the idea that the Communist collapse was a triumph for the only truly modern way of life – a species of eschatological myth rather than any kind of empirical observation – the question did not arise. For them, liberalism was the riddle of history solved, and knew itself to be the solution.
The same myth – a hollowed-out version of a religious belief in providence – underpins the abiding appeal of Communism. One of the features that distinguished Bolshevism from Tsarism was the insistence of Lenin and his followers on the need for a complete overhaul of society. Old-fashioned despots may modernize in piecemeal fashion if doing so seems necessary to maintain their power, but they do not aim at remaking society on a new model, still less at fashioning a new type of humanity. Communist regimes engaged in mass killing in order to achieve these transformations, and paradoxically it is this essentially totalitarian ambition that has appealed to liberals. Here as elsewhere, the commonplace distinction between utopianism and meliorism is less than fundamental. In its predominant forms, liberalism has been in recent times a version of the religion of humanity, and with rare exceptions – Russell is one of the few that come to mind – liberals have seen the Communist experiment as a hyperbolic expression of their own project of improvement; if the experiment failed, its casualties were incurred for the sake of a progressive cause. To think otherwise – to admit the possibility that the millions who were judged to be less than fully human suffered and died for nothing – would be to question the idea that history is a story of continuing human advance, which for liberals today is an article of faith. That is why, despite all evidence to the contrary, so many of them continue to deny Communism’s clear affinities with Fascism. Blindness to the true nature of Communism is an inability to accept that radical evil can come from the pursuit of progress.

John Gray is Emeritus Professor at the London School of Economics. His books include Black Mass: Apocalyptic religion and the death of Utopia, 2007, The Immortalization Commission: Science and the strange quest to cheat death, 2011, and, most recently, The Silence of Animals: On progress and other modern myths, which is due to be published next month. 
=============

The Devil in History

Communism, Fascism, and Some Lessons of the Twentieth Century

The Devil in History
Add to cart
US$ 34.95 (+ tax)
The Devil in History is a provocative analysis of the relationship between communism and fascism. Reflecting the author’s personal experiences within communist totalitarianism, this is a book about political passions, radicalism, utopian ideals, and their catastrophic consequences in the twentieth century’s experiments in social engineering. Vladimir Tismaneanu brilliantly compares communism and fascism as competing, sometimes overlapping, and occasionally strikingly similar systems of political totalitarianism. He examines the inherent ideological appeal of these radical, revolutionary political movements, the visions of salvation and revolution they pursued, the value and types of charisma of leaders within these political movements, the place of violence within these systems, and their legacies in contemporary politics. The author discusses thinkers who have shaped contemporary understanding of totalitarian movements—people such as Hannah Arendt, Raymond Aron, Isaiah Berlin, Albert Camus, François Furet, Tony Judt, Ian Kershaw, Leszek Kolakowski, Richard Pipes, and Robert C. Tucker. As much a theoretical analysis of the practical philosophies of Marxism-Leninism and Fascism as it is a political biography of particular figures, this book deals with the incarnation of diabolically nihilistic principles of human subjugation and conditioning in the name of presumably pure and purifying goals. Ultimately, the author claims that no ideological commitment, no matter how absorbing, should ever prevail over the sanctity of human life. He comes to the conclusion that no party, movement, or leader holds the right to dictate to the followers to renounce their critical faculties and to embrace a pseudo-miraculous, a mystically self-centered, delusional vision of mandatory happiness.

segunda-feira, 4 de fevereiro de 2013

O diabo revisitado: comunismo e fascismo - Vladimir Tismaneanu

The Devil in History

Communism, Fascism, and Some Lessons of the Twentieth Century

The Devil in History
Add to cart
US$ 34.95 (+ tax)
The Devil in History is a provocative analysis of the relationship between communism and fascism. Reflecting the author’s personal experiences within communist totalitarianism, this is a book about political passions, radicalism, utopian ideals, and their catastrophic consequences in the twentieth century’s experiments in social engineering. Vladimir Tismaneanu brilliantly compares communism and fascism as competing, sometimes overlapping, and occasionally strikingly similar systems of political totalitarianism. He examines the inherent ideological appeal of these radical, revolutionary political movements, the visions of salvation and revolution they pursued, the value and types of charisma of leaders within these political movements, the place of violence within these systems, and their legacies in contemporary politics. The author discusses thinkers who have shaped contemporary understanding of totalitarian movements—people such as Hannah Arendt, Raymond Aron, Isaiah Berlin, Albert Camus, François Furet, Tony Judt, Ian Kershaw, Leszek Kolakowski, Richard Pipes, and Robert C. Tucker. As much a theoretical analysis of the practical philosophies of Marxism-Leninism and Fascism as it is a political biography of particular figures, this book deals with the incarnation of diabolically nihilistic principles of human subjugation and conditioning in the name of presumably pure and purifying goals. Ultimately, the author claims that no ideological commitment, no matter how absorbing, should ever prevail over the sanctity of human life. He comes to the conclusion that no party, movement, or leader holds the right to dictate to the followers to renounce their critical faculties and to embrace a pseudo-miraculous, a mystically self-centered, delusional vision of mandatory happiness.
University of California Press; August 2012
336 pages; ISBN 9780520954175
Read online, or download in EPUB or secure PDF format

sábado, 10 de novembro de 2012

A mumia de Lenin passeia na China (romance) - Yan Lianke


Absurdist China



A striving Party official starts a circus of the disabled. 

His goal? Save up and buy Lenin's corpse.


The Wall Street Journal, November 8. 2011

Life is nothing but a circus. Such is the message of Yan Lianke's absurdist "Lenin's Kisses," a tale of political lunacy and greed set in modern-day China. In this sprawling novel, an ambitious county official forms a traveling freak-show of the disabled. His aim is to raise enough money to buy Vladimir Lenin's embalmed corpse from Russia to display in China.
"Lenin's Kisses" mocks the way capitalist practices interweave with Communist ideology in China. First published in Chinese in 2004 and only now translated into English, the novel is set in Liven, a fictional farming village. Though populated almost entirely by the blind, deaf and crippled, the village's 197 residents carve out a simple, happy existence.
The blind pull the paralyzed in carts who, in turn, lend the blind their eyes. And thanks to the leadership of the revolutionary matriarch Grandma Mao Zhi, who is crippled in one leg, Liven epitomizes true equality—not empty Party rhetoric.
The peace is soon disturbed by the arrival of Liu Yingque, a power-hungry official with big plans and a well-developed sense of -grandeur. Liu is eager to transform the undeveloped county into a tourist hotspot. The Lenin Memorial Hall, he claims, will provide locals with unimaginable riches and make him a luminary on a par with Chairman Mao and Lenin himself.
But there is a catch. Chief Liu must first find funds for the project. He creates the Special-Skills Performance Troupe, a traveling circus made up of Liven residents. Thousands flock to gawk at acts including "Deafman Ma: Firecracker-on-the-Ear" and the teenage "Polio Boy." The latter's routine involves squeezing his deformed foot into a bottle, leaving shattered glass in his sole and a trail of bloody footprints across the stage. The audience loves it.

Lenin's Kisses

By Yan Lianke
Grove Press, 592 pages, $27
Such biting social criticism is nothing new for Mr. Yan, many of whose books are banned in his home country. His scathing satire "Serve the People!" (2005) even goes so far as to mock the cult surrounding Mao Zedong. In that book, set during the Cultural Revolution, two lovers attain new sexual highs by smashing icons of Mao during intercourse, a sacrilege punishable by death.
That Mr. Yan also turned his attentions to China's roughly 85 million disabled population is significant. Last year, state media reported that the average income of families with disabled members was just 60% of the national average while only 71% of disabled children have access to education. For these disadvantaged Chinese, prejudice and isolation from society remains high.
As in past works, Mr. Yan steers clear of depicting the world in simple good-evil dichotomies. In "Dream of Ding Village" (2006), a fictional account of Henan province's 1990s blood-selling scandal and subsequent AIDS epidemic, he portrayed villagers as perpetuators of their own misfortune who eagerly flog their blood for cash. Likewise, the Liven residents are not coerced, but volunteer. Only Grandma Mao objects that the troupe reduces each villager to the status of a "performing monkey."
A member of the canon of writers who grew up during the Cultural Revolution, Mr. Yan is known for his magical realism. "Lenin's Kisses," true to form, is courageously experimental. The book guides readers to "Further Reading," flashbacks to characters' past lives and glossaries that drolly define key terms. A handful of scenes are rendered entirely in dialogue. The novel's chapters have only odd numbers, which are considered inauspicious in China. To translator Carlos Rojas's credit, he has faithfully rendered such quirks into English.
Sadly, a few over-drawn plot-lines and exasperatingly repetitive details weaken some of the impact. The book's messy, chaotic form is part of its charm, but at 500 pages long, it could benefit from at least a little streamlining. We follow the troupe as they travel from city to city where detailed descriptions of their individual performances are reported over and over again. The author could have portrayed this seemingly eternal cycle as a nightmare, but it simply feels tiresome.
"Lenin's Kisses" is at its best in the simple moments that need no adorning. These include Grandma Mao's flashbacks to China's turbulent past. As a young woman she passionately leads Liven to join the revolution. She wants residents to have "a good life in which they have lights that don't need oil, flour that doesn't need to be ground, and when they go out they don't need to ride an ox-drawn carriage." In reality, collectivization brings death, pain and poverty.
The matriarch watches "wholers" (non-disabled people) from outside exploit the village folk in episodes such as the Great Famine in the late 1950s, when they steal grain and oxen from the disabled. When Grandma Mao tries to intervene she is beaten.
Her disappointment evokes tragedy, alongside her despair at the thought that the revolution has failed her and her village. Her dying wish is to sever Liven's link from society, and with it, all ties to government and its witless leaders. Mr. Yan presents this as the sensible option, given the alternatives of leadership under egomaniacs such as Chairman Mao, and later on, Chief Liu.
"Lenin's Kisses" wickedly satirizes a sycophantic society where money and power are indiscriminately worshiped. In contrast to Grandma Mao's self-doubt and high principles, Chief Liu is so sure of his genius that he erects his own crystal coffin under Lenin's so that the public can venerate him too after death. As the traveling circus gains fans across the country, it becomes clear that the officials behind the scenes, not the performers, are the true freaks.
If "Lenin's Kisses" seems far-fetched, consider how current affairs prove that the work cuts close to the bone. In 2009, the southern city of Kunming opened the "Kingdom of Little People," a theme park where tourists pay less than $13 each to see dwarves from across the country perform skits. In the morally blind land that is China, life imitates fiction.
—Ms. Sebag-Montefiore is the books and contributing editor at Time Out Beijing.

quarta-feira, 2 de maio de 2012

A grande ilusao dos intelectuais sobre o comunismo - Lilian Hellman

When Stalinism Was in Vogue

The Wall Street Journal, May 1, 2012
Hellman disdained a system that made her fabulously rich while romanticizing one that made its citizens spectacularly poor.

Upon returning from the Soviet Union in 1933, the British writer Malcolm Muggeridge, stunned by the privation and state terror of communism, wondered how it was possible that "so many obvious and fundamental facts about Russia are not noticed even by serious and intelligent visitors." In 1937, as Stalin commenced his psychopathic purge of "Trotskyite enemies," the serious and intelligent playwright Lillian Hellman arrived in Moscow a stalwart supporter of Bolshevism, eager to demonstrate Muggeridge's point.
Hellman, who cycled between writing for the theater and fattening her wallet producing Hollywood melodrama, would cite this Potemkin visit to Moscow as inspiration for "The North Star," her 1943 screenplay celebrating a verdant collective farm in Ukraine whose productive peasants—singing, insouciant comrades—were rudely dispersed by invading Nazis. The critic Mary McCarthy, who would later emerge as one of Hellman's fiercest detractors, declared the film a "tissue of falsehoods woven of every variety of untruth."
The script earned Hellman an Oscar nomination. But a decade later it would also earn her a subpoena from the House Committee on Un-American Activities—and a reputation as an iron-spined dissident. In a letter to the committee, Hellman declared that she would not "cut my conscience to fit this year's fashions," while insisting that she had little interest in politics.
Like most of Hellman's public statements about her political activities, this was a lie. It is because of her political activism that Hellman, whose literary output was of variable quality, has been the subject of countless biographies and academic studies. In "A Difficult Woman," Alice Kessler-Harris, a professor of history at Columbia University, returns to this well-tilled soil, offering an "empathetic view of Hellman and her politics."
Like most book-length treatments of Hellman, "A Difficult Woman" is less concerned with her oeuvre than with relitigating the politics of anticommunism. Now that key claims of American radicalism have been upended by revelations from the Soviet archives—the innocence of Alger Hiss and Julius Rosenberg, the independence of the American Communist Party—Ms. Kessler-Harris grouses that "victory went to those who defined communism as the enemy of national security."

A Difficult Woman

By Alice Kessler-Harris
(Bloomsbury, 439 pages, $30)
One can dip into a shallow reserve of sympathy for those who, like Muggeridge, were briefly seduced by utopianism and soon disabused by reality. But Hellman deserves no such leniency. Ms. Kessler-Harris marvels that Hellman "dedicated much of her life to the cause of civil liberties; in return, she earned the Stalinist label." This is giving Hellman short shrift: she worked rather hard to earn the Stalinist label.
Consider: Hellman zealously supported the Moscow line on Trotsky, offering no criticism when he was murdered by Kremlin agents; she defended Stalin's mass executions of party cadres in 1937-38, signing a petition that accused the victims of being "spies and wreckers" of socialism; she supported Stalin's alliance with Nazi Germany, despite her supposed devotion to "anti-fascism," and defended Moscow's indefensible invasion of Finland in 1939-40, claiming that the country supported Nazism and deserved no pity, a scurrilous lie that Ms. Kessler-Harris leaves unchallenged.

Hellman disdained a system that made her fabulously rich while romanticizing one that made its citizens spectacularly poor. And as Hellman biographer Carl Rollyson noted, she never made "more than a grudging admission of how profoundly wrong she was about Stalin." Unlike Martin Heidegger and Ezra Pound, both of whom supported a different genocidal tyrant, Hellman barely saw her reputation suffer because of her repellent allegiances.
Ms. Kessler-Harris's defense of Hellman and others who refused to abjure Stalinism will sound familiar. While some party apparatchiks were "vaguely aware in the 1930s of Stalin's increasingly ruthless methods"—a rather limp way of describing a roiling genocide—one must remember that "this was, after all, a period when rumors flew." Soviet enthusiasts like Hellman, Ms. Kessler-Harris writes, were merely showing a commitment to "social justice" and not Stalinism per se. The Communist Party plumped for the noble goals of racial equality and a vaguely defined "peace," leading Ms. Kessler-Harris to ask: "How could [Hellman] not have joined?" It is a question easily answered by Alfred Kazin, Irving Howe and countless other liberal intellectuals who understood the axiomatic immorality of Bolshevism.
Ms. Kessler-Harris claims that American anti-communists waged campaigns "filled with hyperbole and outright lies." But it was the Stalinists, Hellman included, who made falsehood a core principle. Her penchant for fantastical tales prompted Mary McCarthy's acid comment that "every word she writes is a lie, including 'and' and 'the.' " The story of Hellman's friendship with "Julia," an Austrian working in the anti-fascist resistance whom she supposedly assisted, was put forward in Hellman's memoir "Pentimento" (1973) and made into a Hollywood film. The story, it turned out, was cribbed from an acquaintance. (The film's director would later denounce Hellman as a "phony.")

Ms. Kessler-Harris acknowledges Hellman's prevarications only grudgingly, resorting to a tedious postmodern explanation that writers are entitled to their own version of "truth"—though Hellman insisted that stories like Julia's were literal truth. Despite voluminous evidence to the contrary, Ms. Kessler-Harris insists that Hellman's "concern for accuracy persisted throughout her life." Not when it came to her memoirs and certainly not when it came to communism's crimes. The previous draft of history was correct: The anticommunists were right, and Hellman was profoundly, inexcusably wrong.
Mr. Moynihan is a contributing editor of Reason magazine.